Today marks the release of Woody Allen: Reel To Real, which is, as of this writing, the most comprehensive book on Woody Allen ever published. Poet and critic Dan Schneider, of Cosmoetica fame, has called it a “seminal” and “revolutionary” book, a book that ought to change the way people talk and think about film. I hope that you’ll agree, if not with some of my interpretations, then at least with the tools Reel To Real provides — tools that can be applied to the art world as a whole, for greatness (as Schneider has argued) is its own company, and what works or fails in one place can be extrapolated into another, from film to film, art-work to art-work, and to the kinds of stories people like to tell.
In short, the book covers every movie that Woody Allen has ever written, directed, or otherwise acted in, with preference given to the material from Annie Hall onward, and especially to neglected masterpieces such as Stardust Memories, Interiors, and Another Woman. Thus, I take a film-first approach, with detailed analyses and 100s of references spread across ~160,000 words on art-centered writing. Yet the book also features a dialogue between the writer and reader, a huge chapter dissecting 6 major critics of Woody Allen (read it here, in full), a fiery exchange between me and Jonathan Rosenbaum, perpetual updates to the e-book via a ‘sync’ system whenever a new Woody film is released, and a final chapter wherein — after much praise, from me! — I finally take Woody Allen to task on his influences, opinions, and general philosophy. In short, no one gets off easy, because, just as Judah is told in Crimes And Misdemeanors, ‘the truth will out.’ Except, in this case, it’s not mere naïveté, and I’ve got the hammer.
Anyway, to celebrate the release of Woody Allen: Reel To Real, I’ve decided to compile a list of Woody Allen’s top 10 films, and explain my reasons in depth. Note that while there are some films, below, that can legitimately be knocked up or down a few spots, they all have at least SOME claim to artistic greatness, if not being indisputably so. So, despite Jonathan Rosenbaum’s claims, to me, a 40-minute fluff-piece like Oedipus Wrecks simply does not belong here. And, conversely — and critical negligence aside! — a well-written, well-filmed, and well-scored opus like Another Woman does. And now that at least some of my reasoning is clear, let us begin with the list proper!
Woody Allen’s Top 10 Films
I respect the reader, and so won’t waste time by forcing anyone to scroll to the very bottom of this page to see my top Woody pick. It’s not merely annoying, but would occlude a great film, a film that deserves the #1 spot, and needs to be watched without blinders, and understood without the silly imbuements into Woody … Continue reading →