Film Review Of Woody Allen’s CAFÉ SOCIETY (2016)

Woody Allen’s Café Society opened in New York City at Lincoln Plaza Cinemas 6, a tiny movie house off of 62nd and Broadway which dedicated just one screen and two show-times to the film on its first night. A week later, it’s getting three screens at once in order to accommodate ticket sales that, while snowballing, yes, seem to still be coming from the pockets of an older crowd. There are married couples, mostly, old friends, and five or six young people in a room at capacity. The laughs, from what I could tell, come strictly from the first two. Oh, the last smiles, sure, if so goaded by the others, but does not quite share the first group’s humor. One knows what to expect. The other, likely having heard of Woody’s brilliance, once, sees a disconnect between this information and what is now on screen. One group’s smiling, holding hands, as if on the same date they were on forty years ago…and perhaps in fact are. The other, however, has no past here; has, to be sure, only Now, and thus cannot personalize Woody; cannot judge this film on the strength of masterpieces gone. One shakes its head – rightly! – at the ignorance of the first. But the other- ah, but the other can’t quite believe how much the past discolors the future, even as they, themselves, will eventually do the same, and denounce those too distant, too late to share their own peculiar bias.

To … Continue reading →

The Freddie Gray Verdict: A Few Words Out Of Season

A week ago, the first ‘true’ Freddie Gray verdict came back as expected: Not Guilty. The result? Three officers are now free. Three are still left, perhaps a touch emboldened. On some level, of course, it does not matter, since the acquittal of one – as history shows – is the acquittal of all. Yet the reverse is not true, for the guilt of someone in power is never (so it’s said) to be extrapolated to power itself: what it does, what it cannot do, and where the rest of the world must go when the thing’s exercised. There are, as far as I can tell, two reasonable narratives here, but in Freddie Gray’s case – as in all similar narratives – only one has really been discussed. It is truthful, yes, and quite damning of the forces involved, but also somehow less adamant. It is less whole. It is, in a word, less dangerous. And it goes thus:

A black Baltimorean with a string of drug offenses sees 2 cops riding their bikes, makes eye contact, and flees. Perhaps he was expecting this. Perhaps he has something illicit on him. Or maybe he’d already done it so much and without penalty that it is merely the ‘thing’ to do. At any rate, he is chased, arrested, and according to the police report, is “taken into custody without incident.” It is impossible to say why he ran, exactly, since only a pocketknife is found on him: a source of … Continue reading →